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	An American tourist's view of Italy page 1 page 2 Part of developing body of personal black and white photography. All prints are for sale. Contact tyler@tylerboley.com
	Selections from the shoebox page 1 page 2 Prices on request carolyn@carolynfrayn.com

	una mujer en el agua/woman in water series page 1 tina/negrA texto en castellano text in english page 1 page 2 page 3 Centro Cultural Recoleta - Secretaría de Cultura - Gobierno de la Ciudad Junín 1930 (1113) Buenos Aires - Argentina 19.12.2002 - 19.01.2003 info at pkolodny@fibertel.com.ar see more of Pablo here

	Industrial Landscape, Ruhrgebiet page 1 page 2 page 3 “By courtesy of Tim Spragens I have the opportunity to show a bit of my photographic work on this site. I have chosen industrial landscapes mainly because I am living in the city of Essen (Germany), which is sometimes called the 'Ruhrgebiet-Metropole'. “I have been photographing the relics of the industrial age here since the early eighties of the last century. The Ruhrgebiet has been the main industrial region of Germany for about 200 years and has been heavily marked by coal mines and steelworks and their logistics. Today most of the former 200 coal mines are abandoned or vanished completely, less than ten of them continue producing. “There was a time when people wanted to forget about the industrial heritage - but today it is widely accepted that the history of labour and industry is part of the cultural development of mankind. My photographs are intended to support this view. “Photographs are available as single Digital Carbon Prints or as Portfolios containing 6, 12 or 18 pictures printed on archival papers. (LESS) Prices on request BLangmack@t-online.de
	Manif, demonstrations on the streets of Paris page 1 prices on request ncmphoto@mac.com
	personal work page 1 page 2 All prints are for sale. Please contact me at julianthomas@terra.es see also Julian's Found Objects Gallery
	Landscapes page 1 “I find myself reluctant to speak of my photographs in advance of your looking at them. Hopefully they stand on their own and as a group, although this collection is a bit more eclectic than I would like. I cannot really articulate why I take photographs. I only know that it satisfies, at least partially, some inner urge or complusion. As to why I took these particular images I can only say that the compositions appealed to me at the time.”